Mirrored from Madam Nakamura-Branchevska.

I made a site that I’m quite proud of, an adventure through San Francisco. And my kid asks to read it, and since I’m quite proud of it I pull up a short biography of Agoston Haraszthy. And he reads it with the world’s most stoic poker face. Revolution? Wolves? Gosh-darned crocodiles? Not a lash moves.

So I ask him – how come? and he says: “What’s there to be surprised about? It’s a typical mom story”. And the worst thing is – he’s right. Eh 🙂

I’m still adding locations to the site. The first 70 or so are up, and I have another 70 lined up for next week. The problem is – every time I write up one place I discover three other places and two people to add to my backlog. The Hydra of San Francisco History is eating my braaaaaain!!! :)))

Mirrored from Madam Nakamura-Branchevska.

By Laura Gilpin

Tomorrow when the farm boys find this

freak of nature, they will wrap his body

in newspaper and carry him to the museum.

But tonight he is alive and in the north

field with his mother. It is a perfect

summer evening: the moon rising over

the orchard, the wind in the grass.

And as he stares into the sky, there

are twice as many stars as usual.

Apparently there’s a private museum of two-headed calves in SF owned, along other cool collections, by a Henry S. Rosenthal. #lifegoals , seriously.

Mirrored from Madam Nakamura-Branchevska.

This weekend I’m doing almost nothing (by accident!), but last weekend I did two awesome and extremely overloading things.

This is the first – I went to Aftel Archive of Curious Scent, a scent museum in Berkeley. It’s an outpouring of Mandy Aftel’s personal collection gathered over decades of making perfumes. She didn’t start out wanting to make perfume – she just wanted to write a book where the main character was a parfumier, and instead wrote a book about perfume itself. And then another one, and another one…

The museum consists of one large room with curiosities, like this 19th century Indonesian ship made out of cloves.

Or like those onycha shells (it means fingernail) that smell very subtly but when burned at the Temple in combination with 10 other ingredients as per God’s own recipe will sublimate the evil odor of one’s animal soul within its heavenly fragnance.

The best part of the museum, however, is outside. There one can take off the mask, and compare modern smells with ones that aged for a hundred years, and synthetic smells with natural ones. Best of all – one can smell each part that goes into a perfume.

One smells them in order, as they would naturally come to one’s nose – top notes first, one by one, and then all three together, followed by three middle and five bottom note ingredients. It is incredible that none of the individual ingredients smell at all like the resulting perfume and only a little bit like each of the three combinations.

At the end of the visit one can pick four from scores of sample scents and get a scent strip to take home. My four, including deertongue , which is now my officially favorite smell, are now hiding deep in sweater drawers to surprise me when I forget about them.

Mirrored from Madam Nakamura-Branchevska.

His poems are hard to find online, and I’m not up to paying for a book to be shipped from UK (yet), but here are a couple to remember meanwhile.

CRAGSMAN’S WIDOW

He was aye vaigan b’ the shore,

An’ climman round the craigs,

Swappan among the auks,

Or taakan whitemaa aiggs.

It’s six year bye come Lammas,

Sin’ he gaed afore the face,

An’ nane but an auld dune wife,

Was left tae work the place.

Yet the sun shines doun on a’ thing,

The links are bonny and green,

An’ the sea keeps ebban an’ flowan,

As though it had never been.

A cragsman is a skilled rock climber

CELESTIAL KINSMEN

The winter lift is glintan doun

Wi’ tullimentan stars besprent,

As were the very heavens abune

Clean gyte wi’ frosty merriment,

Their lowan e’en are taakan tent

O’ chiels like Mansie o’ the Bu’

Whase days upon the land are spent

Ruggan wi’ Taurus and the Pleugh.

“Iowan” means “gleaming”, “cheils” are “fellows” and Mansie is a ploughman from the farm called Bu. “Tullimental” means “мерцающий”.

ANGLE OF VISION

But, John, have you seen the world, said he,

Trains and tramcars and sixty-seaters,

Cities in lands across the sea –

Giotto’s tower and the dome of St Peter’s?

No, but I have seen the arc of the earth,

From the Birsay shore, like the edge of a planet,

And the lifeboat plunge through the Pentland Firth

To a cosmic tide with the men that man it.

The Orkney poet Robert Rendall (1898-1967) loved European travel almost as much as he loved his home islands. The antithesis of the parochial islander, he travelled extensively, sampling the cultures of Germany, France and Switzerland. He made no fewer than nine trips to Italy, and it was on one of these visits that he and a travelling companion stood on the Palatine Hill, surveying the glories of the city of Rome. ‘Hid’s bonny’, conceded the poet, ‘but hid’s no a petch on Birsay!’

Chiara, who told me about Rendall, considers him a modern poet. He died 58 years ago. He was a part of a strong circle of poets, which surprised me, as I thought those arouse only in large towns. Kirkwall today has a population of about 10,000, three times less than my own very small town. None of these poets are mentioned in Wikipedia’s list of notable Kirkwall residents.

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